Von London nach Venedig: Whistler & Masuyama

Internationale Tage Ingelheim

26. April bis 5. Juli 2026

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Credits >>

x Hiroyuki Masuyama
after Whistler, Billingsgate, 1859, 2025, 2025
Digitalfotografie auf Papier
18 x 62 cm
© Hiroyuki Masuyama, Foto: Christian Kappertz

Grafik & Fotografie

Von London nach Venedig: Whistler & Masuyama

Internationale Tage Ingelheim

26. April bis 5. Juli 2026

Der US-Amerikaner und Wahl-Londoner James McNeill Whistler (1834–1903) gilt als einer der bekanntesten, innovativsten und einflussreichsten Künstler des 19. Jahrhunderts. Die Ausstellung präsentiert Radierungen und Lithografien, die er in London und Venedig schuf, sowie Blätter von Menschen aus seinem privaten und beruflichen Umfeld. Ausgesuchte Grafiken seiner Zeitgenossen dienen der kunsthistorischen Einordnung und japanische Holzschnitte, die Whistlers Schaffen beeinflussten, flankieren einige seiner Werke.

Der japanische Künstler Hiroyuki Masuyama (*1968) wurde indes eingeladen, sich auf die Pfade Whistlers in London und Venedig zu begeben. Dort suchte er exakt die Standorte auf, von denen aus Whistler seine Grafiken fertigte und schuf Fotoarbeiten, die die historischen und aktuellen Stadtansichten miteinander verschmelzen. Zum tieferen Verständnis von Masuyamas übergeordnetem Thema von Zeit, Raum und Veränderung bilden ältere Arbeiten im Untergeschoss den vierten Ausstellungsteil: mit äußerst beeindruckenden Lichtkästen, filigranen Papierarbeiten oder teils begehbaren Installationen. 

Internationale Tage Ingelheim
Von London nach Venedig: Whistler & Masuyama
26. April bis 5. Juli 2026
Kunstforum Ingelheim – Altes Rathaus
François-Lachenal-Platz 1, 55218 Ingelheim am Rhein

www.internationale-tage.de

 

Pressematerial

Pressefotos

James Whistler

  •
    James McNeill Whistler (1834–1903)
    The Little Pool , 1861
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James McNeill Whistler (1834–1903)
    Billingsgate, 1859
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James McNeill Whistler (1834–1903)
    Rotherhithe, 1860
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James McNeill Whistler (1834–1903)
    The «Adam and Eve», Old Chelsea, 1878
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James McNeill Whistler (1834–1903)
    Early Morning , 1878
    Lithografie (Lithotint)
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James McNeill Whistler (1834–1903)
    The Palaces , 1879/80
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Christoph Irrgang
  •
    James McNeill Whistler (1834–1903)
    The Balcony 1879/80
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Christoph Irrgang
  •
    James McNeill Whistler (1834–1903)
    Ponte del Piovan, 1879/80
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James McNeill Whistler (1834–1903)
    The Piazzetta , 1879/80
    Radierung, Kaltnadelradierung
    Hamburger Kunsthalle, Kupferstichkabinett
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau

Hiroyuki Masuyama

  •
    Hiroyuki Masuyama
    after Whistler, Billingsgate, 1859, 2025, 2025
    Digitalfotografie auf Papier
    18 x 62 cm
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama
    after Whistler, Old Hungerford Bridge, 1816, 2025, 2025
    Digitalfotografie auf Papier
    32 x 46 cm
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama
    After Whistler, Chelsea, 1878/79, 2025, 2025
    Digitalfotografie auf Papier
    25 x 57 cm
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama
    After Whistler, The Piazzetta, 1879/80, 2025, 2025
    Digitalfotografie auf Papier
    45 x 45 cm
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama
    After Whistler, San Giorgio, 1879/80, 2025, 2025
    Digitalfotografie auf Papier
    36 x 80 cm
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama
    0, 2018
    Holz, Glasfaser
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama
    after Leonardo da Vinci, Storm No.1, 2013
    Leuchtkasten
    © Hiroyuki Masuyama, Foto: Christian Kappertz
  •
    Hiroyuki Masuyama, Selbstporträt 2026