Von London nach Venedig: Whistler & Masuyama

Internationale Tage Ingelheim

26. April bis 5. Juli 2026

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Credits >>

x Hiroyuki Masuyama
after Whistler, Long Venice (1879/80), 2025
Digitalfotografie auf Papier, 29 x 65 cm
courtesy of the artist
© Hiroyuki Masuyama

Grafik & Fotografie

Von London nach Venedig: Whistler & Masuyama

Internationale Tage Ingelheim

26. April bis 5. Juli 2026

Nach über 25 Jahren widmet sich in Deutschland erstmals wieder eine Ausstellung dem amerikanischen Künstler James McNeill Whistler (1834–1903). Er gilt als einer der innovativsten, einflussreichsten und bedeutendsten Grafiker des 19. Jahrhunderts. Im Fokus stehen Whistlers Radierungen und Lithografien, die Ansichten von London und Venedig sowie Darstellungen von Personen aus seinem näheren Umfeld zeigen.

Für die Ingelheimer Ausstellung wurde außerdem der japanische Künstler Hiroyuki Masuyama (*1968) beauftragt, eigens neue Arbeiten zu schaffen. Dafür suchte er im Spätsommer 2025 exakt die Standorte in London und Venedig auf, von denen aus Whistler die Vorzeichnungen für seine Grafiken fertigte. In Masuyamas neu angefertigten Fotomontagen sind Whistlers Stadtszenen mit den Fotografien der heutigen Situation übereinandergelegt. Das übergeordnete Thema des Japaners – Zeit, Raum, Veränderung – wird auf beeindruckende Weise erfahrbar.

Internationale Tage Ingelheim
Von London nach Venedig: Whistler & Masuyama
26. April bis 5. Juli 2026
Kunstforum Ingelheim – Altes Rathaus
François-Lachenal-Platz 1, 55218 Ingelheim am Rhein

www.internationale-tage.de

 

Pressematerial

Presseakkreditierungen

Wir freuen uns, Sie am 23. April zum Presserundgang in das Kunstforum Ingelheim einladen zu dürfen.

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Pressefotos

James Whistler

  •
    James A. McNeill Whistler, Lithograph
    Thomas Way and Son, London, Drucker, 1834 – 1903
    Die Themse, 1896 (gezeichnet)
    Lithografie, 36,2 x 23,0 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, 1834 – 1903
    Die Piazzetta San Marco mit Blick auf den Torre dell’Orologio / "The Piazetta",
    Kaltnadelradierung, 25,4 x 18,1 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, Radierer, 1834 – 1903
    Billingsgate, 1859
    Radierung und Kaltnadel, 17,5 x 24,6 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, Stecher, 1834 – 1903
    Rotherhithe (Wapping) (Themse-Folge, Blatt 5), 1860
    Radierung und Kaltnadelradierung , 30,3 x 22,6 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, 1834 – 1903
    Der Balkon / "The Balcony", 1879/80
    Radierung und Kaltnadelradierung, 29,7 x 20,0 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Christoph Irrgang
  •
    James A. McNeill Whistler, Lithograph
    Thomas Way and Son, London, Drucker, 1834 – 1903
    Früher Morgen, 1878 (gezeichnet)
    Lithografie (Lithotint) auf Velin, 17,7 x 26,5 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau

Hiroyuki Masuyama

  • Hiroyuki Masuyama
    after Whistler, Long Venice (1879/80), 2025
    Digitalfotografie auf Papier, 29 x 65 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, The Piazzetta (1879/80), 2025
    Digitalfotografie auf Papier, 48 x 48 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler Riva degli Schiavoni No.1 (1879/80), 2025
    Digitalfotografie auf Papier, 38 x 61 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, The Little Mast (1879/80), 2025
    Digitalfotografie auf Papier, 38 x 48 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, Old Hungerford Bridge 1861, 2025, 2025
    Digitalfotografie auf Papier, 32 x 46 cm
    courtesy Hiroyuki Masuyama
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, St. James’s Street 1878, 2025, 2025
    Digitalfotografie auf Papier, 31 x 19 cm
    courtesy Hiroyuki Masuyama
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    Sphere
  •
    Hiroyuki Masuyama
    Storm
Celia Solf

Wir sind tief bestürzt. Unsere liebe Kollegin Celia ist am 18. Januar überraschend verstorben. Wir trauern um sie und empfinden einen großen Verlust. Als Mitgründerin der Agentur Artefakt Kulturkonzepte war sie von Anfang an prägend und immer eine geschätzte und unverzichtbare Weggefährtin. Unsere Gedanken und unser tiefes Mitgefühl sind in dieser Zeit besonders bei ihren Angehörigen. Möge sie in Frieden ruhen, wir vermissen sie sehr.