From London to Venice: Whistler & Masuyama

International Days Ingelheim

26 April to 5 July 2026

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Credits >>

x Hiroyuki Masuyama
after Whistler, Long Venice (1879/80), 2025
Digitalfotografie auf Papier, 29 x 65 cm
courtesy of the artist
© Hiroyuki Masuyama

graphik & photography

From London to Venice: Whistler & Masuyama

International Days Ingelheim

26 April to 5 July 2026

After more than 25 years, an exhibition in Germany is once again dedicated to the American artist James McNeill Whistler (1834–1903). He is considered one of the most innovative, influential, and significant graphic artists of the 19th century. The exhibition focuses on Whistler’s etchings and lithographs, which depict views of London and Venice as well as portraits of people from his immediate circle.

New photographic works by Hiroyuki Masuyama, created by the Japanese artist especially for this exhibition and displayed alongside Whistler’s originals, provide a link to the present day.

To contextualize his oeuvre in terms of art history, the works are also accompanied by selected prints by his contemporaries and companions.

International Days Ingelheim
From London to Venice: Whistler & Masuyama
April 26 to July 5, 2026
Kunstforum Ingelheim – Altes Rathaus
François-Lachenal-Platz 1, 55218 Ingelheim am Rhein

www.internationale-tage.de/en

Press material

Press accreditation

Accreditation

Press photos

James Whistler

  •
    James A. McNeill Whistler, Lithograph
    Thomas Way and Son, London, Drucker, 1834 – 1903
    Die Themse, 1896 (gezeichnet)
    Lithografie, 36,2 x 23,0 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, 1834 – 1903
    Die Piazzetta San Marco mit Blick auf den Torre dell’Orologio / "The Piazetta",
    Kaltnadelradierung, 25,4 x 18,1 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, Radierer, 1834 – 1903
    Billingsgate, 1859
    Radierung und Kaltnadel, 17,5 x 24,6 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, Stecher, 1834 – 1903
    Rotherhithe (Wapping) (Themse-Folge, Blatt 5), 1860
    Radierung und Kaltnadelradierung , 30,3 x 22,6 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau
  •
    James A. McNeill Whistler, 1834 – 1903
    Der Balkon / "The Balcony", 1879/80
    Radierung und Kaltnadelradierung, 29,7 x 20,0 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Christoph Irrgang
  •
    James A. McNeill Whistler, Lithograph
    Thomas Way and Son, London, Drucker, 1834 – 1903
    Früher Morgen, 1878 (gezeichnet)
    Lithografie (Lithotint) auf Velin, 17,7 x 26,5 cm
    Hamburger Kunsthalle
    © Hamburger Kunsthalle / bpk
    Foto: Julia Bau

Hiroyuki Masuyama

  • Hiroyuki Masuyama
    after Whistler, Long Venice (1879/80), 2025
    Digitalfotografie auf Papier, 29 x 65 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, The Piazzetta (1879/80), 2025
    Digitalfotografie auf Papier, 48 x 48 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler Riva degli Schiavoni No.1 (1879/80), 2025
    Digitalfotografie auf Papier, 38 x 61 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, The Little Mast (1879/80), 2025
    Digitalfotografie auf Papier, 38 x 48 cm
    courtesy of the artist
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, Old Hungerford Bridge 1861, 2025, 2025
    Digitalfotografie auf Papier, 32 x 46 cm
    courtesy Hiroyuki Masuyama
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    after Whistler, St. James’s Street 1878, 2025, 2025
    Digitalfotografie auf Papier, 31 x 19 cm
    courtesy Hiroyuki Masuyama
    © Hiroyuki Masuyama
  •
    Hiroyuki Masuyama
    Sphere
  •
    Hiroyuki Masuyama
    Storm
Celia Solf

We are heartbroken. Our dear colleague and friend Celia passed away unexpectedly on January 18. We are mourning her deeply and feel an immense sense of loss. As a co-founder of Artefakt Kulturkonzepte, Celia shaped the agency from its very beginning. She was not only a driving force in our work, but also a trusted partner and a wonderful person whose presence meant so much to all of us. Working alongside her was a privilege, and her warmth, commitment, and clarity will stay with us. Our thoughts and deepest sympathy are especially with her family and loved ones at this painful time. May she rest in peace. We miss her greatly.